What I Mean When I Say I’m a Chicano Indigenous Hip‑Hop Artist
In my household, growing up in the Mission District of San Francisco, Saturdays meant cleaning. My two sisters and I moving room to room, brooms and rags in our hands, my mom calling out what needed to be done next. I’m the oldest, so I was the one “in charge,” but really the whole house was being directed by the music.
The speakers were always bilingual. Mexican corridos, rancheras, and banda flooding the kitchen while my mom cooked or folded clothes. Then the needle would jump to soul and oldies: James Brown, Brenton Wood, Mary Wells, all that feel‑good funk and heartbreak. English and Spanish, barrio and Black soul, all braided together in our living room.
That’s the sound I was born into: Chicano, but never just one thing. A borderless playlist that taught me rhythm, emotion, and identity before I ever wrote a bar.
More Than a Box or a Trend
A lot of people hear “Chicano rapper” and think of one specific sound, one look, one era. I respect that lineage, but that’s not the only story. When I call myself a Chicano indigenous hip‑hop artist, I’m not talking about a costume or a trend. I’m talking about my bloodline, my ancestors, my parents’ sacrifices, and my connection to the land.
Chicano to me is ceremony and survival. It’s my parents leaving everything behind so their kids could have a shot. It’s growing up between languages, between cultures, and realizing the border is inside your own body. It’s learning early that we are indigenous people who were told to forget who we are.
Hip‑Hop as Ceremony
Hip‑hop became the place where all of that could live together. The corridos, the oldies, the Azteca drums, the barrio, the prayers, the pain, the visions. I don’t just make songs, I build ceremonies. Every track is an altar: for the kids, for the women, for the ancestors, for the homies we lost and the ones still fighting.
When I step to the mic, I’m not trying to play a role. I’m opening a space. I’m speaking to the teenager who thinks he’s alone, to the mother working double shifts, to the warrior who forgot they’re divine. The beats knock, but the intention is sacred.
Redefining “Chicano” in Hip‑Hop
So when you hear me say I’m a Chicano indigenous hip‑hop artist, understand this: I’m not here to fit into anyone’s stereotype. I’m here to expand what that word means.
Chicano, to me, means remembering we are indigenous, that our lives are ceremony, and that we carry galaxies in our DNA. It means using rap as a weapon of healing, a shield for our youth, and a bridge between tribes across the world.
That’s the energy behind my music. That’s what I mean when I say:
Evolving Wings. Chicano. Indigenous. Warrior‑of‑light.
fly with Fatih wings up
fly with Fatih wings up
Dedication
It all begins with an idea. Sometimes pain. Both are part of the evolving process. Both are blessings. Walking Stars EP is dedicated to my dad Ismael Lara Jr. Oct. 13, 1958—Jan. 13, 2018